The key to producing simple but effective animation is to grasp the basic principles, as Lesley Barnes and Bruce Cameron explain
Drawing people is not the most obvious application of vector imagery, but Stanley Chow shows it can deliver brilliant results
Rob Shields walks you through the creation of an inspirational artwork that also reveals much about composition and lighting
Blend objects in Illustrator, then fuse them with type and colour in Photoshop, says Michael Kammerer – the results are fascinating
Pete Harrison radically reworks a fashion shot till the whole look begins to unravel before your eyes
One of the hardest things to accomplish in vector illustration is a halftone. Here we show you how to create one in only four steps.
Karim Fakhoury transforms a simple fashion shot into an eye-catching work that captures power and beauty. The result would suit a wide range of purposes – from an ad campaign to a poster to the cover of your favourite creative magazine.
Tony Ariawan shows you how to use warping, layer masks and simple colour tweaking for an incredible high-tech look that’s out of this world.
Kervin Brisseaux shows how he turned a basic illustration into a retro-futuristic artwork in Photoshop. You’ll use the Marquee and Pen tools to create a variety of forms, and generate atmosphere with glow effects made using Adjustment layers and Layer Styles.
Great art doesn’t have to be complicated, as Petros Afshar proves by conjuring up a bird graphic out of basic building blocks
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