Apr 07, 2011 — 5 comments
Sometimes the colors in a photograph just don’t mesh. You may not be able to notice it right away; the photo just seems off for some reason. But it could be as simple as the fact that the colors don’t complement each other.
Light painting is an interesting way to shoot creative photos of ordinary objects. The best thing is you don’t need a lot of fancy stuff to do light painting. In fact, you probably already have everything you need.
I’ve explained this so many times over, and every time it’s for the same reason: people dive into technical stuff way too early on and get confused to the point of quitting. It’s hard for somebody who doesn’t do well with electronics to understand sensor sensitivity or how the lens opening affects the depth of field. That is understandable because most of us are artists not professors in physics, after all.
Okay this one’s going to a bit messy, and it’s highly recommended that you do not try this at home without safety glasses and other protective gear.
Shooting coastal photography can yield some of your most breathtaking shots, but it’s not without its difficulties. Get eight professional tips that will help you capture the wild beauty of the coast in high-quality images.
Have you ever seen one of those pictures of a small child starving in Africa and have something tug at your heart? Have you ever seen a cover on a magazine and picked it up just because of that photo? Have you ever bought a product because of a picture of someone else using the product and how happy they looked? If you said yes to any of these, don’t worry; you’re not alone.
Photographers striving to capture the Milky Way crave for a really dark location, absolutely devoid of any light pollution. Light pollution is the worst possible condition, and some photographers are known to go great distances just to be beyond the reach of city lights.
Photographer Jeffrey Salter loves two things: his motorcycle and photography. Why? Because both activities cause him to experience wind-in-his-hair freedom. Photography, in particular, gives Salter the opportunity to relate to many different types of people and to creatively express his soul and the souls of his subjects in new and compelling ways—but for a vast majority of professional photographers, the craft is anything but seamless.
We all know that photography is all about the light. But not just the shape of the light, but the amount of it as well. Most of us photographers strive for faster and faster lens, mostly in order to have cleaner images. Faster lens also means more bokeh. And I don’t know a portrait photographer who doesn’t love bokeh.
“The Farmers” started out as a simple vision for a fine art portrait series featuring agriculturalists. Stableford imagined producing large format canvas prints and holding a gallery opening bash, inviting all those who helped him along the way, as well as their friends, families, and neighbors. However, over the course of the four months that it took Stableford and his team to craft 45 amazing images for the gallery showing, Stableford began to see the larger picture.
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