Apr 07, 2011 — 5 comments
Halverson called on his Canon 5D Mark II and Canon 60D to capture thousands of images, with exposure times anywhere from 15 to 30 full seconds each. Using an aperture of 2.8, an ISO range of 1600-6400, and shot through Canon 16-35mm and Tokina 11-16mm lenses, Halverson spaced the individual images to be take at 3 second intervals.
The goal of a residential interior photographer is to make even the ugliest home look appealing. This guide will cover how to choose the right equipment, use proper lighting, prep a home for a shoot, and composition.
This article explains the in’s and out’s of using light reflectors, then combining the reflectors with strobe lights and natural lighting to deliver perfectly lit scenes.
I get a lot of questions from photographers new to the profession asking how to best begin their work or more so, how to hit the ground running.
Black light photography involves shooting subjects under ultra violet lights and excluding most if not all, visible light. The results are often highly colored and powerful looking images.
Macroscopic photography offers photographers a unique view of the world to explore with an unlimited amount of color, texture and physical architecture.
Get your camera and find a nice spot overlooking the entire view of the scene where you wish to take your panoramic picture. Make sure that this spot has a clear unobstructed view of the scene with few subject movements.
If you want to take truly memorable and moving photographs, you can learn something by studying the pictures of famous photographers.
As a photographer, it is fairly common to work with models on a variety of photoshoots. Whether it be for a fashion spread or advertisement spot. Here is a video tutorial that highlights key points of working with talent on shoots.
Mark swam out to a surf break one afternoon with his 11-pound camera in tow, as he dove under water to avoid being smashed by a wave, he pulled up his camera and fired off a shot of his fellow swimmers. Thus started the project.
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